El son cubano es la base rítmica y armónica de salsa y jazz

In Cuba, Arsenio Rodríguez integrated tumbadora into his son groups and created the son montuno sound that significantly influenced salsa. Radios broadcasted batá drums and gained greater international reach.

Cuban rhythms and dance types such ... The lasting impact of Cuban popular music is evidenced by the widespread popularity of salsa and Latin jazz worldwide....

One of the most important features of this sound included the clave — the instrument that keeps the signature, syncopated 5 note rhythmic pattern over what was forming into 3-5 piece bands with guitars, trumpets, congas, piano, and singers creating a cavalcade of beautiful rhythms interlocking into the perfect dance music for the time from its earliest recordings in the 1910’s. Son Cubano would eventually catch the ear of America, Puerto Rico, and even make its way back to Africa, to influence and blend with other styles of music around the world. Rhumba is another Afro-Cuban folk-dance with an insistent syncopation that, when reaching the East coast of America in the 1930’s, began to change shape into a type of ballroom dance leading to the boom of Jazz fusions with Cuban Music like Salsa, and some of the Latin Jazz we hear today.

Songo integrated several elements of North American styles like jazz, rock and funk in many different ways than mainstream salsa. Whereas salsa would superimpose elements of another genre in the bridge of a song, the songo was considered a rhythmic and harmonic hybrid (particularly regarding funk and clave-based Cuban ...

The basic son ensemble of early 20th-century Havana consisted of guitar, tres, claves, bongos, marímbula or botija, and maracas. The tres plays the typical Cuban ostinato figure known as guajeo. The rhythmic pattern of the following generic guajeo is used in many different songs.

Chapter 1, “The Salsa Concept,” examines the rise of the salsa music · movement in the United States, its evolution and maturation. Chapter · 2, “Ontology of the Son,” examines the history and development of the · son genre in its various manifestations: as a dance, as poetry, and as in- strumental form. The most influential of Cuban dance music styles, the · son belongs to that select group of New World musics, which also in- cludes the blues, jazz, tango, and samba, that revolutionized twentieth-

Ted Henken, From Son to Salsa: The Roots and Fruits of Cuban Music, Latin American Research Review, Vol. 41, No. 3 (2006), pp. 185-200

Salsa music is based on mostly Cuban styles, yet it also developed as a popular dance hall ensemble format from the Cuban and Puerto Rican bands in New York during the 1950s and 1960s.

Son Cubano is a style of Afro-Cuban music that forms the bedrock for most forms of salsa music and Latin jazz.