Jeff Rauseo on 4K Remasters: Fact-Checking His Claim

But the key phrase there is "when done right." You see, not all 4K remasters are created equal. In fact, some of them actually end up looking worse in 4K than they did in 1080p HD.

Looking for the best 4K Blu-rays of 2025? These 10 releases deliver on picture quality, packaging, and collector appeal.

Jeff Rauseo · Mar 12, 2025 · 35 · 37 · 3 · Share · Some of cinema's greatest films have been remastered in 4K over the last 10–20 years. Not only does this improve the quality of home video and streaming versions, but it’s also a crucial ...

Jeff Rauseo · Jan 16, 2025 · 20 · 6 · 2 · Share · David Fincher’s Se7en is a modern masterpiece—a film that has cemented itself as one of the darkest and most unsettling thrillers of all time. When the 4K Blu-ray release was announced, fans of physical media rejoiced at the opportunity to see Fincher’s bleak vision in a new level of clarity.

I'll try and leave my personal opinions on Jeff out of this, but I'm glad his videos did something positive for once and hooked a new collector to the format. I'd say welcome to this expensive hobby, but you're a lifelong collector, you know the drill lol. Curiously - is this how you store your movies all the time? ... Aside from the fact that he has been caught lying about multiple things from his "inside sources" over the years, he also just has very little knowledge about the topic in the first place.

Was I picking pixel-size nits that most viewers will never notice? Maybe. But I wasn’t alone. Jeff Rauseo, who reviews 4K Blu-rays on the YouTube channel Films at Home, says he saw many of the same things I did when he replaced his own TV. “It’s worse in things where the CGI wasn’t done very well to begin with.

If you already keep up with the tumultuous business side of Hollywood, much of what Rauseo covers will be familiar. His detailed analysis of the major studios and streamers—Netflix, Universal, Disney, Warner Bros, Paramount, Sony among them—is informative but also frozen in early 2025. (There’s no mention of the Paramount/Skydance merger, for example.) This isn’t a criticism of the book or Rauseo, simply the cost of writing about a rapidly changing media environment in a printed book.