Mozarts Last Opera is Indeed The Magic Flute

Various colors of ink can be seen on many pages of the score, and the differences between them provide insights into Mozart's process of composition. Mozart's final opera, The Magic Flute was controversial for what it revealed about freemasonry; ...

Mozart, Wolfgang Amadeus. Zauberflöte. Bald prangt, den Morgen zu verkünden. Vocal score. [Finale, Bald prangt, den Morgen zu verkünden: aus der Zauberflöte des Herrn Mozart.] [Vienna]: Musikalisches Magazin, [1791 or 1792]. Houghton Library f *Mus.M8771Z.1791 no.28.

In collaboration with the court librettist Lorenzo da Ponte, he created three works—The Marriage of Figaro (1786), Don Giovanni (1787), and All Women Do It (Italian: Cosí fan tutte; 1790)—that have maintained a central place in the operatic repertoire ever since. Although all three of these operas contain comical characters and situations, each conveys a moral and is essentially serious in its purpose. The same is true of Mozart’s last opera, The Magic Flute (1791).

It is a Singspiel, a popular form that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before Mozart's death. It was Mozart's last opera.

The origin of Mozart’s final opera, The Magic Flute (or Die Zauberflöte in German), which debuted in Vienna in 1791, is almost as mystifying as the plot.

Emanuel Schikaneder—impresario, writer, actor, and singer—drew from a variety of sources in crafting the libretto for The Magic Flute, or Die Zauberflöte in the original German. First, Schikaneder was inspired by Viennese theater and its use of magic, comedy, mystery, spectacle, and moral lessons.

By applying many of Gluck’s ... influence in subsequent eras. ... Mozart wrote Die Zauberflöte (“The Magic Flute”) in 1791, the last year of his life, and it is certainly one of his more curious works....

In collaboration with the court librettist Lorenzo da Ponte, he created three works—The Marriage of Figaro (1786), Don Giovanni (1787), and All Women Do It (Italian: Cosí fan tutte; 1790)—that have maintained a central place in the operatic repertoire ever since. Although all three of these operas contain comical characters and situations, each conveys a moral and is essentially serious in its purpose. The same is true of Mozart’s last opera, The Magic Flute (1791).

From one of the best known classical composers of his time, The Magic Flute (Die Zauberflöte) was the last opera… ... One of the most gifted classical composers of all time and known for his operas, symphonies and more, learn about Mozart here.