The Style DVD has Sarah and Cheryl comment on the styling...

Get Girls Aloud's Style is the fifth DVD featuring Girls Aloud, was released on November 12, 2007. It features commentary from Girls Aloud on all of their favourite and least favourite outfits from their careers, as well as fashion tips. The video contains the group's first sixteen music videos, ...

"Sexy! No No No..." is a song by British-Irish girl group Girls Aloud from their fourth studio album, Tangled Up (2007). In April 2007, the group announced that they would release a new album, due in November of that year. In July 2007, it was announced that "Sexy!

"Something Kinda Ooooh" is a song by British-Irish all-female pop group Girls Aloud, taken from their first greatest hits collection The Sound of Girls Aloud: The Greatest Hits (2006). The song was written by Miranda Cooper, Brian Higgins and his production team Xenomania, and produced by Higgins ...

Part of it may stem from the fact I grew up and went to college in a similar environment and felt like the characters (their style, language, and their mannerisms) and even the neighborhoods and businesses were familiar. It's weird to say, but it's like that good friend you know is flawed but love to see because they're strangely comforting and you know you're going to get drunk and have a blast with them. Extras include Commentary, Behind The Scenes (which actually feels like a strange music video with behind-the-scenes footage), Bloopers, Deleted and Extended Scenes, and an Alternate Ending.

The extras are pretty entertaining. I was very pleased with the commentary since they do offer some good insight and stories behind the episodes. My only problem with it is that there’s no commentary for the episode “Joan of Arf”. Other extras include the 2007 Comic Con panel, which is okay.

The DVD Commentary trope as used in popular culture. The DVD (and Blu-ray, by extension) Bonus Content with the highest ratio of "disappointment when it isn' …

Many people have rightly called it to task for white-washing dementia, a few moments are embarrassingly twee, like the comic relief retired sportscaster who roams the retirement home announcing everything as if it was a sports event, and the use of younger actors to portray the leads' past selves in silent flashbacks feels like they've been overly influenced by 2001's Iris. And there's a distracting foot fetish reference that'll pull you right out of the film for two to three minutes.

There's a moment during the second year of the brilliant The Sarah Silverman Program where "gentle comedy" (described as "like Lily Tomlin or Tracey Ullmann") comes in for some ribbing: it's something practiced by the show's squarest character, and the response to the puzzled query "Are we ...